We are pleased to announce the release of our new documentary short, The Pentyrch UFO Incident.
In 2016, a peculiar pyramid-shaped UFO was witnessed over the Welsh village of Pentyrch. What is claimed to have followed was shocking: military intervention resulting in an alien spacecraft crashing into woodland on the outskirts of Llantrisant, Wales. In the years since this happening, information related to the Pentyrch UFO Incident has been suppressed, leading some to believe it to be one of the greatest UFO mysteries of all time.
On a sunny Sunday morning in April we were fortunate to be able to meet with and interview Caz Clarke, the primary witness of the events that are said to have taken place at Pentyrch five years previous.
We are pleased to announce that “In Search of the Dead” has been nominated for Best Paranormal Documentary Film in Higgypop’s 2020 Paranormal Entertainment Awards.
This year marks the third annual Paranormal Entertainment Awards for Higgypop, in which the best paranormal content creators, publishers, hosts, and broadcasters are recognised. The awards celebrate “all forms of content created for traditional broadcast, online streaming, social and print, as well as celebrating the stars and creators of that content”.
The winner of the awards will be decided by public voting, closing on Friday 13th November 2020. The winners will be announced on Sunday 29th November.
We are overjoyed to announce that “In Search of the Dead” has made it to the Official Selection of the 2020 London International Motion Picture Awards (L.I.M.P.A.).
The London International Motion Pictures Awards (L.I.M.P.A.) is an annual event held in London, United Kingdom. It aims to disseminate film culture and the progress achieved in various branches of film art, and to strengthen relations among filmmakers throughout the world.
This year the festival has reinvented itself and will be launched in collaboration with the U.S. distribution company Alexa Films LLC as a TV event. Each work has the chance to be broadcast live on the festival’s exclusive TV channel. The festival’s broadcasts will be shown on the channel between 1st and 12th of December. Viewers will have a chance to vote for each work featured by using a “like” button in order to obtain the recognition of “The film most voted by the audience”. The vote of the audience will be independent of the decision of the jury.
To find out more about the festival and this year’s competitors, visit L.I.M.P.A.’s official website.
We are overjoyed to announce that “In Search of the Dead” has been officially selected for the fourth Wales International Film Festival.
The Wales International Film Festival was founded by Euros Jones-Evans and Samira Mohamed Ali to showcase the work of filmmakers from across the globe. This year’s festival will be held between 16th and 18th September 2020 at the Gwyn Hall in Neath, South Wales. You can find out more about the festival on their website.
After years of production, our debut feature documentary – In Search of the Dead – is almost ready. Yes, you read that correctly… it will soon be available to watch!
Despite (or perhaps because of!) having watched the film what seems like at least a million times, Erik and I want to check that we haven’t made any silly mistakes. As such, we are looking for keen-eyed viewers to spot any glitches, typos or volume irregularities which we might have missed.
Check out our latest teaser trailer and see what we’re talking about…
If you are interested in being a test watcher (and getting early access to ISOTD!), you can apply here. The form will be available to fill in until Monday night. After that we will be contacting those who we have selected with more details.
As always, we want to say thank you for your continued support and patience. We truly cannot wait to share “In Search of the Dead” with you!
Over the past couple of weeks we have seen leaps and bounds worth of progress with In Search of the Dead, with “sound” and “audio” being the two most commonly used words in our office. Not only has our hugely talented composer finished all her (heavenly!) compositions for our soundtrack, but we have also hired an audio engineer to smooth the documentary’s sound and have recorded the final takes of all the voiceover in studio. Phew!
I hardly dare to say it, but I believe we are now in the Final Tweaks stage of post-production. I cross my fingers and hope that it won’t be too much longer until we will be looking for test watchers to help us identify any last errors or issues with the production. So, keep an eye out if that sounds interesting to you!
To end this short update post I must once again thank you all for your constant support and patience. There is a not a video on our YouTube channel that does not have a comment asking after In Search of the Dead. We know that you have not forgotten our crazy dream to produce this documentary, and are just as excited to see it finished as we are. Each comment warms our hearts and reminds us of how fortunate we are to have such an enthusiastic and understanding audience. So, thank you.
For the past couple of months we have been rather quiet regarding In Search of the Dead. Far from purposefully leaving you all in the dark, we have been navigating great stress and upset.
In early March a Windows Update forced itself onto our computer, right in the middle of our working day. We were in the process of backing our work up onto an external hard drive at the time. When the computer restarted it was immediately clear that something was not right. The computer was sluggish and slow to response. Yet, the extent of the damage was not yet apparent. After wrestling to restore it to normal speed by uninstalling the update, we realised that much more had been damaged. Our files – both on the computer and on the external hard drive – had been damaged. All our In Search of the Dead files (and strangely, nothing else) were completely inaccessible.
Since that time, technicians have been working hard to restore the files. Yesterday, we received the salvaged files. All of our raw files have been either partially or entirely damaged. Our project files are entirely gone. Our post-production work has to be restarted, using whatever remains of our footage.
However, we will still be able to make In Search of the Dead.
At times over the last few weeks we thought that everything we had been working on for the past year was lost. Figuring out how to tell you all was the hardest part. So, we are so very happy to be able to share this with you. It is still bad news, but not as bad as we were preparing ourselves for.
We cannot wait to get this project finished and present In Search of the Dead to you. It has been the most incredible and challenging venture we have ever embarked upon – far in excess of what we imagined.
Thank you all for your support and patience. We read every kind comment left on our videos and websites, and are always especially touched by those expressing enthusiasm for this project.
Gallery of screenshots: Our vision for In Search of the Dead
Now that we are back home (and finally at the end of our filming!) we have a lot of work to do.
Post-production for a two-person team is proving challenging, time-consuming but also greatly rewarding. Being able to watch back through over 30 hours of footage, and consolidating everything we have done, is overwhelming. Did we really begin this journey just a few months ago? It seems worlds away now.
We cannot wait to share the finished product with you, but before then we have a long road to trek.
One of the most exciting aspects of the next few weeks for us is the production of an original soundtrack for the documentary. We are honoured to have the chance to work with a hugely talented, aspiring composer. From the beginning we knew that we wanted the music for In Search of the Dead to be different and well-thought out. A welcomed change, you might say, from the ‘make do’ approach we normally have to adopt. Now that we have greater resources available to us, we hope that we can deliver something spectacular – something ethereal.
So, keep your eyes peeled as we enter 2018. The wait is almost over.